The LIT Lighting Design Awards are widely known for recognizing outstanding achievements and advancements in lighting design. They showcase and celebrate professionals whose work has significantly influenced and shaped the industry, giving them a platform that supports the artists and the lighting design community as a whole. Each year, the Lifetime Achievement Award honors an individual who has made immeasurable contributions to the field over the years with exceptional technical skills and visionary design. In 2024, the award will be given to Allen Lee Hughes, a lighting designer whose work in theatre, opera, and dance has profoundly impacted the lighting design world for over five decades.
Allen Lee Hughes, born in Washington, D.C., developed an early passion for theatre. He discovered his love for lighting and stage design while studying at the Catholic University of America, where he earned his Bachelor’s degree. He later pursued a Master’s in Fine Arts at New York University’s Tisch School of the Arts, specializing in Design for Stage and Film. Hughes eventually joined the Tisch faculty, where he continues to teach and mentor aspiring designers. His dedication to education was recognized in 2016 when he received the David Payne Carter Award for Teaching Excellence.
Hughes’ professional career began in regional theatres across the U.S. Eventually, it brought him to New York, where he worked at prestigious venues such as Lincoln Center Theater and Playwrights Horizons before making his mark on Broadway. Since 1983, Hughes has designed lighting for twelve Broadway shows, including the original production of Once on This Island in 1990, which earned him a Tony Award nomination. His lighting for Who’s Afraid of Virginia Woolf? (2012) and A Soldier’s Play (2020) also garnered Tony nominations. Other notable accolades include the Joseph Maharam Award and Outer Critics Circle Award for his work on K2. Hughes’ lighting often combines technical precision with a deep sense of thematic storytelling, as seen in A Soldier’s Play, where his lighting helps convey complex themes of racial identity and conflict without overshadowing the actors’ performances. His Broadway portfolio also includes Home, Our Town, Clybourne Park, Mule Bone, Strange Interlude, Accidental Death of an Anarchist, and Quilters.
Beyond Broadway, Hughes’ lighting designs have graced some of the most respected companies in the world, including the American Ballet Theatre, New York City Ballet, Pacific Northwest Ballet, San Francisco Ballet, and the National Ballet of Canada, as well as the Pilobolus Dance Theatre and Eliot Feld. His work extends to theatres across the U.S., including the McCarter Theatre, Seattle Rep, Long Wharf Theatre, Goodman Theatre, Guthrie Theatre, Hartford Stage, Mark Taper Forum, Steppenwolf Theatre, the Kennedy Center, and the Alliance Theatre.
In 1990, Zelda Fichandler, founding director of Arena Stage, established the Allen Lee Hughes Fellowship and Internship Program in his honor. This initiative promotes diversity in the theatre industry by offering mentorship and training to underrepresented individuals. Over the years, the fellowship has mentored more than 700 emerging professionals, contributing significantly to a more inclusive industry.
Hughes’ achievements have been recognized by numerous awards, including the USITT Distinguished Achievement Award in Lighting Design (2003), the Michael Merritt Award for Excellence in Design and Collaboration (1997), and the National Black Theatre Festival’s Outstanding Achievement in Lighting Design Award (2015). In 2020, he was honored as the second-ever recipient of the Henry Hewes Ming Cho Lee Award for Lifetime Achievement, joining an exclusive group of lighting design legends.
Allen Lee Hughes
“Thank you so much for this LIT Awards lifetime achievement award. It is great to have recognition for some fifty-six years of professional work. The award means a great deal to me and all of my many collaborators. Over the years, I have attempted to help tell hundreds of stories through my work as a lighting designer. There is a glorious feeling when we are rewarded with an audience that reaps pleasure and knowledge from our work. I appreciate you giving the efforts public attention.”
– Allen Lee Hughes
The LIT Lighting Design Awards’ Lifetime Achievement Award is a fitting tribute to Allen Lee Hughes, a designer whose career has been marked by exceptional contributions to the lighting design industry. With four Tony Award nominations, two Helen Hayes Award wins, and a vast body of work spanning theatre, opera, and dance, Hughes has helped shape modern lighting design and created moments of magic that have moved and inspired audiences worldwide. His passion for lighting design and his commitment to the art form make him an iconic figure in the industry. Ensuring such talent receives the recognition it deserves is precisely the mission of the LIT Lighting Design Awards.
In a shining moment for the world of lighting design, DarkSky has emerged as the winner of the esteemed Spotlight Prize at this year’s LIT Lighting Design Awards 2023. Nominated by the discerning jury, DarkSky received the award for their outstanding commitment to a mission: preserving the darkness of the sky.
Thomas E. Reinert, Jr.
“We are honored to receive this recognition from the lighting design community, with whom we have much in common. Well-designed outdoor lighting and responsible, dark-sky friendly lighting are synonyms. Both are sustainable, energy-efficient, environmentally responsible and pleasing to the eye,” says Tom Reinert, President of DarkSky.
The Spotlight Prize was introduced in 2020 aiming to put the “spotlight” on an organization, association, project, or initiative carrying out outstanding work for its community. At the same time, this winner has to be a contributor to the Lighting industry. In the past years, the LIT Lighting Design Awards honored different projects including the LUCI Association and Women in Lighting.
Previously known as the International Dark Sky Association (IDA), DarkSky is a United States-based non-profit organization established in 1988 by founders David Crawford and Tim Hunter. The mission of the IDA is “to restore the nighttime environment and protect communities and wildlife from light pollution”.
The Birth of DarkSky
For one of the founders of DarkSky, Tim Hunter, observing the Milky Way was something natural that he could do through the trees surrounding his home. Gradually, he became aware that the stars started disappearing from urban and suburban areas due to increased light pollution.
In 1985, he received an unexpectedly large tax return. He decided to buy a piece of land in a dark-sky area for a large telescope. One thing led to another, and soon he was the owner of 20 acres of land 40 miles southeast of Tucson, Arizona, on a high grassland plateau at an elevation of 5,000 feet. This is how the Grasslands Observatory was born. During this time the Dark Sky Office at Kitt Peak National Observatory had been headed by Dr David Crawford. Hunter and Crawford met several times to discuss their concerns about lighting recommendations. What started off as a contentious discussion developed into friendship and a mutual goal of protecting night skies.
According to Hunter, light pollution is a relatively easy environmental problem to solve but no one is doing anything about it. He then suggested forming a non-profit organization devoted to combating light pollution.
What is light pollution?
Most of us are familiar with air pollution, water pollution, and soil pollution. But there is something else that can be a pollutant, namely light. While electric light at night can be a great thing, guiding us home, keeping us safe, and making our homes cozy, it also has another impact on the environment. Light pollution is the excessive or inappropriate use of outdoor artificial light. Furthermore, it is the human-made alteration of outdoor light levels that occur naturally.
It affects human health, wildlife behavior, and our ability to see stars. In this context, DarkSky educates the public and certifies parks and other places that have worked to reduce their light emissions.
When we over-light, fail to use timers or sensors, or use the wrong color of light, we can negatively affect so many parts of our world, including migratory birds, pollinators, and mammals. Research suggests that artificial light at night can negatively affect human health as well as increase the risk of depression, sleep disorders, obesity, and more. According to a recent paper, “There is an increasing number of research underlining the complexity of the correlation between light pollution and Alzheimer’s disease; however, additional studies to enhance the key tenets are required for a better understanding of this relationship.” Wasted light wastes money. Outdoor light emissions represent at least one percent of global energy use – contributing to the climate crisis. Globally we spend at least $50 billion in energy costs to produce light that escapes into space.
Components of light pollution include glare (excessive brightness that causes visual discomfort), sky glow (brightening of the night sky over inhabited areas), and light trespass (ligh falling where it is not needed). Unfortunately, light pollution is a side effect of industrial civilization. Fortunately, there’s a growing awareness that the ways we stave off the dark can actually have detrimental effects too. Most of the light pollution comes from cities, outdoor lights, streetlights, electronic advertising, parking lots, sports lighting, factories, greenhouses, gas production, and rural places.
Some of the ways to attempt to solve the problem of light pollution are following responsible lighting practices, passing dark sky-friendly legislation, and advancing scientific research in this field. These are also some of the practices that DarkSky has undertaken on their journey.
DarkSky – Who are they and what do they do?
DarkSky’s goal is to tackle these issues and create a better environment not only for the wildlife but also for us, humans.
Currently, DarkSky has more than 190,000 supporters, members, and advocates in more than 70 countries. They provide tools and resources for individuals, policymakers, and industry to reduce light pollution and promote responsible outdoor lighting that is healthy and functional.
“DarkSky looks forward to future opportunities to work with lighting designers and lighting manufacturers to develop and to deliver lighting solutions that restore the nighttime environment and protect wildlife and communities from the harmful effects of light pollution,” states Ruskin Hartley, CEO and Executive Director of DarkSky.
What made DarkSky stand out in comparison to the other nominees for the spotlight prize at the LIT Lighting Awards are some of their main practices. Their professional methods amongst others include education and advocacy efforts, building a strong sense of community through various events, and impacting the world by reducing light pollution. DarkSky tries to achieve this by certifying and conservating starry sky parks, communities, and other places around the world. Moreover, they certify commercial, industrial, and residential outdoor lighting that reduces light pollution.
The first method implemented to handle light pollution is certifying conserving the dark sky places. Currently, there are over 160,000 square kilometers of protected land and night skies in 22 countries on 6 continents, and the list grows every year. The night sky and the nocturnal environment are naturally and historically important resources worthy of conservation. Certified places are therefore required to use quality outdoor lighting, effective policies to reduce light pollution, and ongoing stewardship practices.
DarkSky has also been spreading the word about light pollution since 1988. They often organize conferences and trade shows that bring together a variety of policymakers, scientists, and government representatives amongst others to discuss night sky preservation. The DarkSky staff and volunteers also give talks, presentations, and exhibits at events such as the annual Light Fair, the European Symposium for the Protection of the Night Sky, and more.
Furthermore, DarkSky hosts an annual virtual conference each fall. It takes place over a 24-hour period, connection advocated and supporters of the dark sky movement for around the world. There is another event, called the International Dark Sky Week which will be held in April 2024. It aims to invite people from over the world to reconnect with he benefits of a dark, star-filled sky and learn how to reduce the negative impacts of light pollution on human, wildlife, and ecosystems.
One of the most important lessons that DarkSky teaches is adopting responsible means of lighting and illuminating spaces. It is no surprise that light brings huge benefits to modern society. It has revolutionized how we live and work outdoors. The modern society of the 21st century requires outdoor lighting for many reasons including safety and commerce. Therefore, DarkSky advances responsible outdoor lighting through policy solutions, public education, and scientific research. In this sense, responsible outdoor lighting allows people to see at night, conserves energy, and avoids harmful effects on wildlife. It is also useful, targeted, controlled, and warm-colored.
Last but not least, DarkSky‘s approved program provides objective, third-party certification for products, designs, and completed projects that minimize glare, reduce light trespass, and don’t pollute the night sky.
To achieve their goals DarkSky has partnered with different organizations such as CBS, National Geographic, Clear Sky Chart, Globe at Night, Under Canvas, Your True Nature, Selux, and many more. In this way, they have the opportunity to receive support and sponsorship for their programs and events. At the same time, it allows for further world reach and global education.
“DarkSky International strives for and promotes lighting practices that reduce the negative impacts of light pollution on wildlife, biodiversity, climate change, and human health. This recognition from the lighting design community beautifully illustrates the relationship between good lighting design and responsible dark sky-friendly lighting. Through responsible practices and innovative design we can combat the alarming trends of lighting pollution together,” concludes Hartley.
DarkSky’s receipt of the Spotlight Prize at the 2023 LIT Lighting Design Awards speaks volumes about their steadfast commitment to combat light pollution and champion responsible outdoor lighting practices. Their dedication to education, advocacy, and the certification of dark sky places positions them as leaders in the pursuit of sustainable and environmentally responsible lighting solutions. As DarkSky continues to light the way toward a harmonious coexistence of light and nature, this prestigious recognition underscores the crucial link between innovative lighting design and the promotion of responsible, dark-sky-friendly practices.
Text: Polya Pencheva
LIT Lighting Design Awards™ stands as a distinguished platform, acknowledging brilliance in lighting design across the globe. Celebrating innovation and creativity, LIT annually recognizes outstanding contributions to the field. This year, the Awards spotlight the recipient of the prestigious Lifetime Achievement Award 2023, Roger Narboni, whose exceptional work has left an indelible mark on the world of lighting design.
Roger Narboni is not just a designer, he is a pioneer. Trained as an artist and an electronic engineer, Narboni has realized a number of landscape, urban, heritage, and architectural lightings. With more than 35 years of experience, he has worked across the globe including locations such as Paris, Jerusalem, Sao Paolo, and Hangzhou, China.
Roger Narboni. Copyright François David
Narboni began working with light in 1981 after spending a few years traveling abroad and 3 years in New York. When he came back to Paris he wanted to use light as a way to bring interest together. For him, it was easier to work at the scale of public space so he started putting his ideas together.
In the late eighties, Narboni coined the term lighting designer in French and paved the way for the practice of lighting design in France. He used this word to convince people to pursue the field and to create urban spaces affecting the city’s nighttime atmosphere.
Not only did Narboni invent the field of light urbanism but he also came up with the concept of the lighting master plan methodology. The lighting master plan (LMP) is a discipline that describes the main aspects of urban lighting in a city.
The primary purpose of the lighting master plan is to define the aesthetic and functional lighting criteria, to increase the efficiency, and quality of city lighting, and finally to achieve a secure, comfortable, and well-structured and -lit environment. As a consequence, crafting a lighting master plan has benefits that include saving energy, avoiding light pollution, reducing maintenance costs, creating a unique character for the city, and more.
For Narboni, throughout the most densely populated cities in the world, there have been different policies to reduce carbon emissions. These include and are not restricted to reducing the number of cards in the cities and encouraging other types of transportation such as bicycles. Consequently, these urban developments encourage us to change the way we perceive public lighting in cities. This idea includes lighting for vehicles and street lighting during the night.
The luminous city established a relationship with public spaces and allows us to open up to new innovations and ways to change how we live. This is also another way according to Narboni to introduce lighting in our daily routine.
CONCEPTO
Later, in 1988, he founded Concepto, a studio whose heart lies in realizing innovative lighting designs that tackle societal issues. The studio works in planning and construction to foster the use of space at night and properly deal with nighttime, which represents 50% of our yearly time.
Moreover, the company is committed to reducing climate change and signed the Manifest of Lighting Designers Sustainable Lighting Projects.
In buildings, Concepto reveals materiality and volumes through plays of natural and artificial light and creates atmospheres that serve the architecture and the public. One of the main goals of the studio is to adopt an approach that is respectful of darkness. Furthermore, Concepto is moving forward with its commitment to reconciling light and darkness and intends to become a reference company when it comes to light ecology.
It is of utmost importance to note that Concepto has initiated and contributed to the development of multiple design strategies such as integrating the lighting component in multiple urban projects, staging city centers, foreshadowing urban mutations, defining nocturnal identity, valuing local cultural customs, developing dark infrastructures for its lighting design strategy, and more.
The company has always kept an eye on the quality of its projects and has honed the balance between expertise and curiosity in its practice. Additionally, some of the core values of the team are sharing and collective smarts as well as professional ethics and talent appreciation.
Hangzhou, Grand Canal, China
Grand Canal nightscape in Hangzhou, China. Lighting design : Roger Narboni, CONCEPTO & Zhongtai Lighting Group. Photo copyright: CONCEPTO & Zhongtai.
Located 200 kilometers South of Shanghai, the city of Hangzhou is crossed by a large network of canals. The Hangzhou government decided to transform the industrial image of the Grand Canal over a 10-kilometer span in the city center, by renovating not only its waterfronts but also initiating diurnal and nocturnal cruises and creating a nighttime landscape attracting visitors.
The aim of the Lighting Masterplan was to reveal the beauty of the site, its monumental nature, identity, characteristics, and the richness of its traditional architecture as well as of its landscape. The waterfront landscape has been unified and emphasized through a blue-green-toned light.
The new nighttime landscape has transformed the site for tourists’ enjoyment, but it has also shaped a pleasant, one-of-a-kind luminous atmosphere that locals fully enjoy as well. This project has received the 2nd International Prize “City People Light” presented by the LUCI association in 2009.
Sèvres, Facade of the National Ceramics Museum, France
Ceramic Museum lighting in Sèvres, France. Lighting design: Roger Narboni, CONCEPTO.
Located on the domains of Saint Cloud Park, the National Ceramics Museum is among the 23 buildings designated Historical Monument of the Sèvres City of Ceramics. The city of Sèvres planned the illumination of the main facade of the museum to be part of the public lighting renovation Public-Private Partnership for the cities of Sèvres and Boulogne-Billancourt.
This lighting design has been conceived in reference and in reverence to ‘Sèvres blues’ that are characteristic of Sèvres ceramics. Completed in 2012, the lighting design plays an important role in the nocturnal landscape of the Seine riverfront and asserts its presence from far away.
Terrasson-Lavilledieu, Pont-Vieux (Old-Bridge), France
Old bridge lighting in Terrasson-Lavilledieu, France. Lighting design: Roger Narboni & Virginie Nicolas, CONCEPTO. Architect: Studio Patrick Ponsot. Photo copyright: Darlavoix.
The Old Bridge is a 130-meter-long, arch-shaped work, which has been declared a historical monument. It underwent restoration in 2017 for which a lighting design project has been required. In this context, Concepto has worked together with the Ponsot ACMH office to finish this design.
The Pont Vieux (Old Bridge) is at the center of the exceptional nighttime landscape setting. It is located at the foot of a cliff and its fortifications, bordering woods, and the city center of abrasion-Villedieu in the Dordogne region. Because the bridge is simple, the studio had chosen to enliven the materiality through a play of lighting beams. A grazing light highlights the texture of the stone on the vertical axis. Crossed and inclined beams of light create a yellow, white, and amber light trail on the surface, whose vibration can be felt even from afar, and whose detail becomes legible from close-up.
Lighting Masterplan, Jerusalem, Israel
Israeli authorities in charge of Jerusalem’s development decided in 2010 on a Lighting Masterplan for the old town and its vicinity, in order to promote the cultural and touristic development of this pilgrimage town at night.
The plan aimed to define the role of the fortified wall in the future nighttime image and silhouette of the old town. Another goal was to imagine the greater landscape at nighttime, focusing on the luminous atmospheres of the streets as well as the architectural lighting of the main monuments.
The plan included a lighting strategy for the six teams of architects in charge of the studies of the renovation of the public spaces in the Old Town. Concepto supported the planning of the Jaffa Gate and the Omar Ibn El-Khattab plaza.
The master plan and Jaffa’s Door were both completed in 2012.
Professional Success
Although Concepto’s work in lighting design is exceptional, Narboni has done more outstanding work. He has written a large number of articles and is the author of many known books and science-fiction novels.
PSA Peugeot Citroen Design Center, Cars” Presentation Room lighting in Velizy, France. Lighting design: Roger Narboni, Sara Castagné, CONCEPTO. Architect: studio Ripault-Duhart. Photo copyright: CONCEPTO.
Academic Work and Publications
Narboni has been invited as a keynote speaker in congress, seminars, and conferences in many countries. In addition to this, he teaches Lighting Design Master classes and leads international professional workshops about light urbanism in France and abroad.
Narboni’s teaching career starts as early as 1999 and extends to current days. He was a teacher at Superior National School for Nature and Landscaping in Blois from 1999 until 2007 and in Versailles from 2003 to 2015. During the period between 2014 and 2018, he was a guest teacher in Russia and Italy where he taught various courses.
Cesaria Evora garden lighting in Paris. Lighting design: Roger Narboni & Floriane Deléglise, CONCEPTO. Architect: Urbanica. Photo copyright : CONCEPTO.
Since 2017 Narboni has been an associate lecturer on Light Urbanism at the WINGS University in Wismar, Germany, as part of the master’s degree in architectural Lighting Design with workshops in 2023 and 2024 in Bangkok, Thailands which have been in collaboration with the Royal University of Bangkok (KMUTT).
During the past three decades, Narboni has received multiple lighting awards including the Best Heritage Lighting Award for the Lumi-R night route in Rennes, France, the City People Light Award, for the Valenciennes Lighting Master Plan in France, the Architectural Lighting Award for Rion Antirion bridge in Greece, Nocturnal promenade « The metamorphosis » in Château de Chambord in the USA, and more.
From 1988 to the present day Narboni has partnered with the following lighting companies: Abel, Aubrilam Chrysalis, Philips Lighting,Ragni, Schreder, Selux, Targetti, Technilum, Thorn Zumtobel, and Valmont.
Inner River’s nightscape in Dujiangyan, China. Lighting design: Roger Narboni, CONCEPTO & Zhongtai Lighting Group. Photo copyright: CONCEPTO & Zhongtai.
Additional achievements
Besides this, Roger Narboni has been a member of different organizations. In 2017 he was a member of the Paris Professional Lighting Design Convention (PLDC) steering committee. This biannual Convention was created for the global lighting design market. Lighting designers, architects, researchers, universities, and clients use the PLDC as a platform to meet and learn about the latest developments in lighting design and discuss the future of the lighting profession.
Additionally, he has been an expert member of the French-Chinese association SFACS from 2016 to 2018 and a member of the editorial committee of the French Internet portal Lightzoom since 2015.
Another of his life achievements is that he is the founding chairman of the humanitarian association Lighting designers without boarders. It brings together over 50 volunteers from across the world from the lighting sector. The association aims to promote lighting design in humanitarian projects and help the establishment of the lighting design profession in countries where it does not exist by providing appropriate training. Furthermore, the goal of the establishment is to encourage local initiatives for a better environment at night and to develop innovative proposals that address the economic difficulties, lack of energy, and sustainability.
Waste plant lighting in Carrière-sur-Seine, France. Lighting design: Roger Narboni & Virginie Nicolas, CONCEPTO. Architects: studio Quirot & Vichard. Photo copyright : CONCEPTO.
Innovative work
Not only is Roger Narboni a winner of prizer and the writer of books, but he is also an innovator. He was the expert responsible for the study and diagnostics of Lighting and nocturnal ambience in the districts for the Ministry of Integration and Fight agains Exclusion, Inter-ministeria Delegation for the City and Urban Social Development in 1995. He is also the person behind the first seminar of the ecology of light organised by AFE and the City of Lyon in 2002.
Rion Antirion bridge lighting in Greece. Lighting design: Roger Narboni, CONCEPTO. Architect: Berdj Mikaelian. Photo copyright: CONCEPTO.
Roger Narboni‘s extraordinary journey in lighting design has earned him the distinguished Lifetime Achievement Award at the 2023 LIT Lighting Design Awards™, solidifying his status as a true luminary in the field. From coining the term “lighting designer” to pioneering the concept of lighting master plans, Narboni’s influence has been transformative. His commitment to sustainable lighting projects through Concepto, along with his dedication to education and humanitarian efforts, further showcases his multifaceted contributions to the world of light. As we celebrate Narboni’s outstanding achievements, it is evident that his impact continues to shape the future of lighting design worldwide.
Text: Polya Pencheva
Kevan Shaw: First-Ever LIT Lifetime Achievement Award Recipient
“I am absolutely delighted to be honoured with this inaugural lifetime achievement award at such a young age! I have every intention of continuing my career in the same way as I have been, ensuring I remain worthy of this great honour.” – Kevan Shaw, LIT Lifetime Achievement Recipient
Kevan Shaw’s career in lighting began over 40 years ago, 30 of which have been at his firm, Kevan Shaw Lighting Design.
Kevan’s achievements in the field of lighting design consist of more than 700 projects completed worldwide and across a broad range of fields. Notable projects include the Scottish Parliament Debating Chamber, the Ashmolean Museum in Oxford and the Scott Monument in Edinburgh.
We are delighted to give this award to Kevan and we continue to expect great things from his career in lighting design! Please read his expanded biography/background in lighting and see more of his work here.
With our partners from L+D Magazine as well as the LEDforum, our LIT Team will celebrate Kevan this August at the LEDforum in São Paulo. Held in the Tivoli Hotel downtown, we will have a brief ceremony on August 15th presenting Kevan Shaw and our 2018 winners:
Arrangements by Flos, our LIT Lighting Product Design of the Year
For over 30 years, Sally Storey has been guiding John Cullen Lighting and founded Lighting Design International company, gathered a talented team of designers from a variety of backgrounds: architecture, theatre design, fine art, product design and engineering.
Sally has been pushing the boundaries of technology and design to create outstanding spaces and memorable experiences. She has written three well-received books on lighting and often contributes to the national and international press. Sally Storey’s contribution to the Lighting Industry is tremendous!
Sally Storey studied architecture at Bristol University and in her second year was awarded the scholarship of the year. She was fascinated with how natural light and artificial light transformed a building and chose this as her thesis and never looked back.
Sally Storey, Design Director of Lighting Design International and John Cullen Lighting, is one of the UK’s leading lighting experts. Her extensive knowledge and experience has led to her travelling all over the world designing lighting schemes for esteemed brands, individuals and corporate clients.
Sally has written three well-received successful books on residential lighting and often contributes to the national and international press. She is a regular speaker at interior design and architectural events and conferences. Sally is a judge on many interior and lighting panels, and currently a judge for the Super Yacht Design & Innovation Awards.
Recent projects include the Kimpton Fitzroy London, Hotel Café Royal, L’Oscar, the multi-award-winning Fera at Claridge’s Hotel, The Lanesborough Hotel Spa, The Connaught Hotel, Ham Yard Hotel, The Savoy, Temple Church, Grocer’s Hall, Grand Hotel Cap-Ferrat, Emirates Palace Hotel Dubai, Crosby Street Hotel New York, St Regis Venice and Four Seasons Hotels including the spa at the Four Seasons George V.
Sally has also been involved in Private Residences and Palaces worldwide as well as numerous Super Yachts including the award-winning Topaz (J8), Northern Star, MY& SY Twizzle, JOY, Faith, Hasna, Lady S and most recently Archelon.
Project: Kimpton Fitzroy, London
Company: Lighting Design International
Photographer: Gavriil Papadiotis
Project: ESPA Life at Corinthia
Company: Lighting Design International
Photographer: Richard Powers
Project: Duplex Penthouse, London
Company: Lighting Design International
Photographer: Andrew Beasley
Project: Duplex Penthouse, London
Company: Lighting Design International
Photographer: Andrew Beasley
Sally has brought her residential lighting experience to create outstanding lighting schemes that make the stunning spectacular. Sally has been a key advocate in promoting residential lighting a vital element of interior design.
No matter the budget lighting can transform and make simple materials look elegant. Sally’s passion and enthusiasm for lighting never fade and still comes through when lecturing today. She is currently working on her fourth book on residential lighting which aims to help one understand new technology and how best to use it. This is aimed at interior designers, architects and the homeowner. Making people aware of their environment will hopefully influence push the standards of lighting in work and leisure.
Lighting: Recipes and Ideas London: Quadrille, 2000
Lighting by Design London: Pavilion, 2002
Perfect Lighting London: Jacqui Small, 2008
Sally is currently working on a new book on residential lighting for RIBA called: “Inspired by Light: A design guide to transforming the home.”
Project: The Lanesborough Club & Spa
Company: Lighting Design International
Photographer: Oetker Collection
Project: Private House
Company: John Cullen Lighting
Photographer: Luke White
About John Cullen Lighting
Founded in 1981 in London, John Cullen Lighting has positioned itself as a global leader in luxury residential lighting design and supply. For almost 40 years, the Company has been responsible for delivering some of the World’s very best luxury residential and hospitality lighting schemes.
Operating from offices in London, Paris, Dubai and Mumbai, John Cullen Lighting is well placed to provide the very highest standards of design and engineering excellence to any scale of the project. Internationally-acclaimed, discreet light fittings provide the tools to deliver outstanding lighting for both interiors and landscape. All are designed in-house and proudly manufactured in the UK. A bespoke award-winning design service is offered to ensure that products are used to optimum effect to create stunning lighting effects.
In 1986 on the death of John Cullen, Sally was left to run and drive the design side of John Cullen Lighting which specialised in residential lighting. At the same time, Sally set up Lighting Design International to cope with requests of lighting commercial projects such as JP Morgan Chase & Co, Goldman Sachs and large hotels.
About Lighting Design International
Lighting Design International is one of the most established independent lighting consultancies in the world, we have been creating adventures in lighting for over 35 years under the direction of Sally Storey, We bridge the gap between architecture and engineering, utilising artistry hand in hand with cutting edge lighting technology to render space and material, evoking emotion and creating inviting and dramatic spaces.
As one of the world’s foremost lighting design consultancies, we don’t just work with light, we understand it – the role it plays in affecting our mood and sense of wellbeing; how it combines with surface and form to create a single dramatic effect and how it can bring an otherwise unremarkable space to life. Our highly trained long-established creative team come from diverse design backgrounds, allowing us to deliver practical expertise and luxurious bespoke detailing through our uniquely creative approach to suit any project brief.
Lighting Design International’s portfolio boasts projects of every scope and scale, from boutique chic to classic opulence. But while our clients may be diverse, they have one thing in common – they demand the best; when considering lighting they understand the distinction between the exceptional and what is merely functional. Hotel projects include the award-winning Kimpton Fitzroy London, The Dixon, Four Seasons Hotel des Bergues Geneva, Four Seasons Astir Palace Athens and Hotel Grand Bretagne Athens. Retail projects include multiple areas in Harrods – Technology, Men’s Shoes, Superbrands, Fine Dining and Food Halls. Our experience also covers high-end residential estates around the world such as the UK, Paris, South of France, USA, Dubai, Doha, Kuwait and the Caribbean. Lighting Design International is also involved in the ultimate luxury, superyachts.
Al Borden is a principal and the founder of The Lighting Practice. After years of designing temporary shows for a variety of theater groups and rock bands, Al founded ‘The Lighting Practice’. He opened the Philadelphia office in 1989 to create a place where like-minded designers could work in a collaborative environment dedicated to design excellence and client service. In 2018, Al spearheaded The Lighting Practice’s expansion to New York, becoming managing principal of TLP’s second location. Al was motivated to open the New York office to support the firm’s growth and provide a second home base for local and national clients.
Inspired by his desire to create lasting designs that will positively impact people for years to come, Al continues to use light as his medium to make a difference around the world. Throughout his 30+ year career, Al has collaborated with building owners, facilities managers, government agencies, local communities, and architect-led design teams on projects spanning a variety of market sectors. Al’s personal and professional mission is to create lighting solutions that meet clients’ needs, respect and highlight architectural forms, and transform the ordinary into extraordinary spaces people want to spend time in.
Empire State Building, New York, NY Client: Empire State Realty Trust Photographer: Photographs courtesy of ESRT
Trinity Centre at 111-115 Broadway, New York, NY Client: Capital Properties Photographer: Alan Schindler Photography
Al’s background in theatrical lighting taught him the importance of story and the powerful role light can play in how individuals experience an architectural space. He has taken on the major task of relighting many iconic buildings and landmarks, including the Empire State Building, Madison Square Garden, Philadelphia City Hall, Thomas Edison Memorial, and Trinity Centre. He was part of the project team that completely replaced all vertical circulation within the Statue of Liberty’s stone pedestal and created life-safety egress paths across the pedestal’s terreplein and through the walls of Fort Wood. In 2016, he designed the lighting system for the conversion of the historically landmarked Temple-Tifereth Israel into Case Western Reserve University’s Milton and Tamar Maltz Performing Arts Center. When the Empire State Building’s tower lighting became outdated, Al was tasked with changing the existing metal halide lighting system to color-changing LED. From arts and entertainment to hospitality to transportation environments and more, Al’s designs have provided comfort, safety, and breathtaking beauty to hundreds of buildings and landscapes.
Al’s inclusion in several authoritative lighting design organizations is a testament to these successful projects and his leadership in the field. A Fellow of the International Association of Lighting Designers, Al has served the IALD in a variety of capacities and made significant contributions to the organization’s growth and resources. His work as a former Board member and Director of Marketing was characterized by his deep understanding and experience of the needs of the lighting design community. As a practitioner of considerable standing, Al demonstrated an ability to initiate and support ideas that were of practical worth to the IALD’s members. He also played a highly supportive and active role in the advancement of the IALD’s international development. Other significant contributions to the Association were writing the first Standard IALD Contract templates, overhauling the IALD Awards program, and establishing a relationship with an international lighting magazine to represent the IALD.
The Milton and Tamar Maltz Performing Arts Center at Case Western Reserve University, Cleveland, OH Client: Case Western Reserve University Photography: Halkin | Mason Architectural Photography
In addition to his Fellowship with the IALD, Al became a Certified Lighting Designer in 2016. At the time, he was one of 12 CLD-certified professionals in the world. The CLD program is the first ever evidence-based lighting design certification. The certification processes challenge lighting professionals to prove their professional knowledge and proficiency. Al is also a member of the Illuminating Engineering Society (IES) and previously served as past President of its Philadelphia Section.
In addition to his active engagement with local, national and international lighting and architecture communities, Al has looked for ways to support his local community in Philadelphia. Since 2002, he has worked with ‘Lights for the Cure’ to illuminate various Philadelphia buildings in pink to raise awareness during October’s Breast Cancer Awareness Month. Working with Joanne Calabria, former Vice President of Public Affairs at CBS 3 and visionary of the ‘Lights for the Cure’, Al helps building owners find the best way to turn their building facades pink expressing unity for the Susan G. Komen cause.
Trinity Centre at 111-115 Broadway, New York, NY Client: Capital Properties Photographer: Alan Schindler Photography
Understanding that lighting design is a service business, Al designs lighting not for self-aggrandizement, but to serve his clients’ needs and their businesses and allow the beautiful architecture to shine both day and night. He has applied this philosophy to hundreds of projects over the course of his career. His work does not exhibit a particular style, nor is it focused on a single project type. Al approaches each project with the same enthusiasm and the same goal to deliver a fresh, creative lighting solution that will give each client the best value for his or her lighting dollar.
Al’s 30-year legacy of lighting is woven into the fabric of buildings across the United States. He continues to be a role model for new designers, setting the standard for work ethic, creativity, and philanthropy in the field at large.
Congratulations to our 2019 Lifetime Achievement Recipient for his illustrious lighting design career and recognition by our panel of LIT Judges, we are all ecstatic to see what Al will do next!
Sagamore Sprit Distillery, Baltimore, MD Client: Sagamore Development Photography: Alan Karchmer
The Logan Philadelphia, Curio Collection by Hilton, Philadelphia, PA Client: Host Hotels & Resorts Photography: Andre Bordwin Studio
The Milton and Tamar Maltz Performing Arts Center at Case Western Reserve University, Cleveland, OH Client: Case Western Reserve University Photography: Halkin | Mason Architectural Photography
2020 LIT Lifetime Achievement Recipient – Lighting Application Research
Professor Wout Van Bommel
With over 50 years in Lighting Research and Application, Prof. Wout Van Bommel has carried out researches into various lighting subjects; some of the concepts he proposed, are nowused in international and national standards for lighting.
Prof. Wout Van Bommel has published more than 150 papers in national and international lighting journals in various languages and wrote well-regarded books. Member and Chairman of various Lighting Societies and Commissions, Prof. Wout Van Bommel is also a University Professor and speaker. He is passionate about non-visual biological aspects of lighting influencing health and wellbeing, studying and lecturing about “balancing the positive effects of lighting on living beings with the negative impact of that lighting on the environment.“
Prof. Wout Van Bommel obtained his academic degree (MSc) in physics, at the University of Technology in Eindhoven, the Netherlands in 1970. His specialization was in applied lighting under the guidance of Prof. J.B. de Boer and Dr-Ing. H.J. Schmidt-Clausen. This resulted in a detailed insight in, and publications about, the potential possibilities of the use of polarized light for vehicle lighting and ship lighting.
Prof. Wout Van Bommel has over 50 years of experience in Lighting research, of which he spent 37 years with “Philips Lighting” in different lighting application functions such as road lighting, sports lighting, and indoor lighting.
He has carried out research into many different lighting subjects; some of the concepts he proposed, on the basis of his research, are now used in international and national standards for lighting. He was responsible for Philips’ International Lighting Design and Application Centre (LiDAC).
After his retirement from Philips Lighting and with his vast international experience in lighting application, Prof. Wout Van Bommel is now an independent Lighting Consultant to lighting designers, researchers, companies’ municipalities, and governmental bodies. He assesses the quality of specifications of lighting installations (certification).
For 20 years, He is also specialized in non-visual biological aspects of lighting influencing in turn our health and wellbeing. He was responsible for the first two international lighting expert symposia (Vienna 2004, Ottawa 2006) where medical, biological, and lighting experts set the way for putting the new knowledge into practical use. Prof. Wout Van Bommel gives basic and advanced lectures about lighting, health, and wellbeing for both professional and laymen groups of people.
Prof. Wout Van Bommel has been a member and President of CIE – “International Lighting Commission”, the chairman and now an honorary member of the Dutch “Light and Health Research Foundation” and has been involved with many other commissions and associations throughout his career (see list below).
In 2004, He was appointed Consulting Professor at the Fudan University of Shanghai and in 2008 External Examiner of the Master Course “Light and Lighting” at the University College of London (UCL‐ Bartlett Institute).
Prof. Wout Van Bommel has published more than 150 papers in national and international lighting journals in various languages as well as books. As a young lighting professional, He wrote, together with Prof. de Boer, in 1980 the book “Road Lighting”, then 35 years later, in 2015, “Road Lighting, fundamentals, technology and application” and in 2019, “Interior Lighting, fundamentals, technology and application”. These books became “standards” in their fields.
All over the world and throughout his career, Prof. Wout Van Bommel has presented papers, taught, given invited lectures at different conferences, and participated in workshops.
Professor Wout Van Bommel – Philips Lab Van
Open-air Road lighting Laboratory
Professor Wout Van Bommel – Philips Road Reflectometer in 1970s
Commissions & Associations
From 1988 to 2008, Prof. Wout van Bommel was the Dutch representative of the European Lighting Normalization Committee CEN TC 169.
From 2003 to 2007, Prof. Wout van Bommel has been President of the International Lighting Commission, CIE. During his presidency, he visited nearly 40 different National CIE Committees all over the world to learn about their needs and to support them in their local activities.
From 2008 to 2011, Prof. Wout van Bommel was a Board member of the International Dark-Sky Association (IDA).
Prof. Wout van Bommel was the chairman and is now an honorary member of the Dutch “Light and Health Research Foundation”.
Prof. Wout van Bommel was for eight years the Chairman of the Lighting Commission of the Standardization Institute of the Netherlands (NEN).
Prof. Wout van Bommel is a member of the Lighting Society of the Netherlands and the Lighting Society of North America (IESNA).
Prof. Wout van Bommel was Chairman of the “Tunnel Lighting” and “Glare for Outdoor Areas” Committees of the CIE. For slightly more than eight years, He was Director of CIE’s Division 5 (Outdoor lighting and other applications).
Recognition & Award
Prof. Wout van Bommel was the first recipient of the “NSVV Wout van Bommel Award”, named after him. The Dutch Lighting Society, NSVV who created this award, will award it annually to a person who has as a volunteer contributed exceptionally to the work and mission of the Dutch Lighting Society.
Prof. Wout Van Bommel – CIE President in 2007
Most Relevant Publications:
Van Bommel, Wout
Discomfort glare and LEDs: an empirical and a fundamental approach
Israel Lighting Journal,82/8, 2020
Van Bommel, Wout
Topics important for the up-to-date interior lighting professional
Light & Engineering, Vol. 28, No 1, 4-22, 2020
Svetotekhnika #2, 2020
Van Bommel, Wout
Interior Lighting, fundamentals, technology and application
Springer Publishers, 2019
Van Bommel, Wout
Street Lighting Innovation: Sensor Sensibility
Lighting Journal (ILE), February 2017
Van Bommel, Wout
Een uitdaging tot innovatie, optimaliseren van Ledspectrum voor de kleur van objecten en ruimteoppervlakken.
Ruimte en Licht, 3, 2016
Van Bommel, Wout
In: Luo MR (ed) Encyclopedia of Color Science and Technology, Springer Science + Business Media, New York, 2016
Van Bommel, Wout
Age, light perception, and street lighting
Dekra Road safety Report, 2016
The prestigious LIT Lighting Design Awards is pleased to announce the recipient of the 2020 Spotlight prize – Women in Lighting.
The LIT Lighting Design Awards was created to recognize the efforts of talented international lighting product designers and lighting implementers. The organization believes lighting is both an art and a science, and that it is one of the most important elements of design. LIT was envisioned to celebrate creativity and innovation in the fields of lighting products and applications.
In the organization’s most recent news, LIT Lighting Design Awards is thrilled to announce its 2020 Spotlight prize – Women in Lighting (WIL). WIL is an inspirational digital platform that profiles women working in the field of lighting design. The community platform promotes each women’s achievements, narrates their career path and goals, celebrates their work, and elevates their profile in the lighting community.
“Spotlight is a special prize that rewards an organization or project which carries out remarkable work for its community, and for being a major contributor in the lighting industry,” says the founder of LIT Lighting Design Awards, Mr. Hossein Farmani. “Women in Lighting exemplifies our expectations for Spotlight, as the project supports the important work of women in the industry by creating an inclusive environment in the profession. We couldn’t be prouder of this initiative and look forward to seeing their continued work into the future.”
Women in Lighting has been founded by Sharon Stammers and Martin Lupton, the team now consists of 70 ambassadors from 70 different countries around the world who aim to create a supportive and inspirational environment for women in the lighting industry.
When being informed of the Spotlight prize, Sharon Stammers shared “The WIL team are proud to accept this special award on behalf of all people who have participated in the project, the entire global WIL network and its supporters. It’s great to have the project recognized in this way as one of the main reasons for starting it were to raise the profile of women in lighting and to inspire others. We feel that this is working…”
Women in Lighting Founders: Sharon Stammers and Martin Lupton
About Women in Lighting
International lighting designers and light activists, Light Collective launched the project, Women in Lighting on International Women’s day in 2019. It is a celebratory project that set out to create an inspirational digital platform for women working in the architectural lighting industry to promote their passion and achievements, narrate their career path and goals, celebrate their work and elevate their profile in the lighting community.
Women in Lighting consists primarily of a website – www.womeninlighting.com – with a database of interviews with women from around the world. Starting with lighting designers, the scope has expanded to include women in all aspects of lighting – education, journalism, manufacturing, art and research. The project has already gathered support from individual female designers in over 70 different countries. These “ambassadors” are a point of contact in each location for other women seeking to find out more about the project. Initially started as it was evident that female participation in conferences, committees, juries and panels were underrepresented, the main aim was that as there are approximately 50% of female lighting designers, they get 50% visibility.
Women in Lighting is not about gender inequality but about inclusivity and how this is beneficial to the profession as a whole. The project is supported by formalighting and archifos.
The Studio School of Design (SSD) is an interdependent community of practice where experiential learning is embedded into a curriculum of design storytelling. It celebrates the full range of human cultural expression and identity and especially supports those who are and have previously been marginalized or excluded from the design professions. They see lighting design as a creative art form and are deeply invested in the potential of telling diverse and inclusive human stories through the medium of light.
The Studio School of Design’s vision is to increase collective knowledge and diversify access to the lighting design field across the places where we work. The school is a 501c3 Not-For-Profit community organization, seeking to provide equitable and inclusive low-cost classes both online and in-person to a wide-ranging pool of talented and motivated students.
This year, the 2022 « Spotlight » prize has been awarded to The Studio School of Design for its engagements towards education accessibility, diversity, and inclusivity. SSD is providing affordable (or free) learning environments and educational programs, preparing emerging lighting designers for the broad range of today’s lighting careers.
Photo by Rosalie O’Connor
The Studio School of Design began operations in the spring of 2021 with courses in Lighting for the Camera, Business Skills for Freelancers, Assisting with Large Scale Projects, and, importantly, a survey course of all the professions where designers work outside of the traditional theatre markets (65 students from 8 countries). They continued in the fall with courses in Video Content Creation and Pre-Visualization.
Additionally, they have offered free programs such as Pioneers of Light: The History of Women in Lighting Design (attended by over 80 online participants), Color and Light in a Mixed Source World, two Lighting Design Educator workshops for High School and University level instructors, and Networking events, both on Zoom and in person, to facilitate contact between designers, associates, directors, and choreographers. This spring (2023), the Studio School of Design will again offer Bob Barnhart’s highly successful Lighting for the Camera course, as well as courses in Vectorworks 3D and a Dance Lighting Intensive.
Photo by Rosalie O’Connor
One of their most exciting initiatives has been the launch of our High School Summer Workshop, a pilot program attended by 13 high school students, primarily from underserved school districts, for 4 days in the summer of 2022 (video of Students sharing their experiences). With the support of the Chelsea Factory and other donors, students participated for free in hands-on training in designing and telling stories with light. They are currently in the advanced planning stages for an expanded multi-week program targeting 40 high school students for the summer of 2023.
The Studio School of Design continues to offer online courses through Zoom, making course materials available to a large group of learners from around the world. They will continue to do so in the future and are currently looking for a space in Manhattan where they can offer face-to-face courses on a regular basis. Their future plans include developing a curriculum program that will provide in-depth study in a variety of fields and career paths for lighting designers.
In total, over 200 students/participants have participated in online and face-to-face programs since April 2021; 25% of online participants have received scholarships and all high school participants have attended for free.
The Studio School of Design is led by an outstanding group of individuals who bring decades of experience in education, design, non-profit management, media, equity, diversity, inclusion, law, and the lighting industry. Studio School of Design faculty come from the professional community and are focused on recruiting a wide range of highly qualified professionals.
We spoke with Studio School of Design President Mark Stanley and Vice President Clifton Taylor about their plans for the future of this inclusive and multicultural learning environment.
MARK STANLEY – Director, President (Photo by Rosalie O’Connor) and CLIFTON TAYLOR – Director, Vice President, Secretary
“As professional designers and educators, Clifton and I are intimately connected to the intersection of both worlds. Studio School reflects our commitment to providing opportunities for affordable, accessible training in lighting design and related fields. By expanding the pathways to a successful and more diverse, inclusive, education and also providing a gateway to the professional world, we enrich our community and the stories we tell through light and design“, shared Mark Stanley.
Talking about the ways the public and the industry can support their work, Mark added that the “Studio School of Design is a non-profit, tax-exempt organization. We rely on contributions to achieve our mission and provide the affordable, and often free, education that is our mission. As a young organization, we need the larger lighting and design communities’ support in order to expand and grow“.
Photo by Rosalie O’Connor
Looking at this coming year’s program, Mark added that “When it comes to their upcoming projects, this spring they are offering 3 courses online: Lighting Live Events for the Camera led by Bob Barnhart, Advanced Vectorworks 3D Drafting, led by Nick Solyom, and a Dance Lighting Intensive, led by Mark Stanley. In addition, Studio School of Design offers networking opportunities and educator training at both the high school and university levels. In the summer of 2023, they will expand their High School Summer Intensive in Lighting Design to a two-week program with the goal of reaching 40 high school students. In addition, they will offer their popular Associates and Assistant Lighting Designer course as well as Business Practices for Freelancers.”
About Mark Stanley: Resident Lighting Designer for New York City Ballet, Mark Stanley has designed over 220 premieres for their repertoire including Paul McCartney’s Ocean’s Kingdom. He has worked with choreographers around the world including Peter Martins, Alexei Ratmansky, Susan Stroman, Christopher Wheeldon, Justin Peck, William Forsythe, Kevin O’Day, Susan Marshall and many others. His designs are in the repertoire of nearly every major ballet company in North America and Europe and his designs for George Balanchine’s The Nutcracker and other ballets and operas have been seen on Live from Lincoln Center and Great Performances. Mr. Stanley previously served as Resident Designer for the New York City Opera. His theatre work includes the Kennedy Center, Long Wharf Theater, Goodspeed Opera House, Ordway Music Theater, Paper Mill Playhouse, Maurice Sendak’s Night Kitchen and off-Broadway. Mr. Stanley heads the Lighting Design Program at Boston University and is on the Board of Directors of the Hemsley Lighting Programs.
About Clifton Taylor: For over 34 years, Clifton Taylor has created lighting, projection and scenic designs for theater, dance and opera companies around the world. He has also designed a number of unique concert music events for major orchestras, solo musicians and large-scale venues. His work has been commissioned on Broadway, Off-Broadway, regionally, and in seventeen countries outside the US. Clifton teaches design as an associate professor at UNCSA with additional extensive experience lecturing at NYU, the New York Choreographic Institute, and LDI. He has also had academic appointments at the Juilliard School, The University of Iowa, and the Royal University of Fine Arts in Phnom Penh Cambodia. He has a long-standing interest in education and is also a current MA candidate in the Adult Education Program at ECU. Clifton is the author of the book on color for lighting designers: “Color and Light, Navigating Color Mixing in the Midst of an LED revolution” which was published by Ones and Zeros Media.
For over 40 years Patrick Woodroffe has been a guiding force in the lighting for rock concerts, operas, ballet, architecture, and special events. Patrick began his career in lighting in 1973 and since then has lit and directed productions for many artists including, AC/DC, Paul McCartney, The Police, Take That, Peter Gabriel, Genesis, Rammstein, Stevie Wonder, Rod Stewart, The Eagles, Donna Summer, Tina Turner, Pet Shop Boys, Michael Jackson, Elton John and many more.
Patrick’s contribution to the lighting industry is tremendous, he has been one of the revolutionary minds behind the evolution of entertainment lighting.
Rolling Stones 14 on Fire (2014) Creative direction + Lighting Design – Patrick Woodroffe, WBD
In the world of rock touring he has lit and directed shows for a long list of iconic artists as diverse as ABBA, Elton John, Bob Dylan, Lady Gaga, Simon and Garfunkel, Adele, Sting and Michael Jackson. He has worked for over thirty years with the Rolling Stones, beginning his association with the band in 1982 and continuing as the band’s lighting designer and creative director for all their live and filmed performances since then. He was one of the curators of Exhibitionism, the band’s traveling exhibition showcasing artifacts and examples of the band’s work over 50 years.
In the classical world, he has lit performances by many singers, conductors, and international orchestras including Jessye Norman, The Three Tenors, Sir George Solti, and the London Symphony Orchestra, Zubin Mehta, André Previn, and Gustavo Dudamel. In opera, he has created works in Vienna, Salzburg, Bregenz, and Helsinki, on occasion using lighting in the place of scenery to convey mood, atmosphere and narrative.
His musical theatre credits include productions of Jesus Christ Superstar, Batman Live, Bat Out of Hell, West Side Story, Mama Mia the Party and Ben Hur Live. He lit the 25th Anniversary Performance of Les Miserables at the O2 Arena and Phantom of the Opera at the Albert Hall. For over twenty years he has lit and helped to produce the famous Vanity Fair Oscar party in Los Angeles and at the Cannes Film Festival.
In film he lit This Is It with Michael Jackson and Martin Scorsese’s Shine A Light, the superb film of the Rolling Stones in performance.
Adele (2016) (Production Design – Es Devlin, Lighting Design – Patrick Woodroffe, WBD
Romeo + Juliet, Vienna State Opera (2001) Director – Jurgen Flimm, Stage + Lighting Design – Patrick Woodroffe
Aside from Entertainment Lighting, Patrick has created some important architectural lighting schemes, including those at the O2 Dome, the Lake of Dreams in Las Vegas, Highgrove House for The King, Prague Castle, the Madejski Garden at the V + A, and Somerset House in London.
In 2012 he lit the Opening and Closing Ceremonies for the Olympic + Paralympics Games in London.
London Olympic Games Opening Ceremony (2012) Director – Danny Boyle, Choreography – Akram Khan, Lighting Design – Patrick Woodroffe, WBD
With his long-time collaborator Adam Bassett, he runs the international lighting design consultancy, Woodroffe Bassett Design. The company operates globally designing lighting for many different genres including music, theatrical performance, special events as well as permanent architectural entertainment installations.
Patrick is a Royal Designer for Industry (RDI) and in 2014 was awarded OBE by the late Queen for a lifetime of services to the arts.
“I’m so pleased to receive this lifetime achievement award from the LIT Awards, particularly because I join a group of previous honorees who are all from very varied disciplines. They remind me of the familial feeling that exists in the lighting world despite our coming from different ends of the spectrum! As ever, this is an award shared with the many, many collaborators without whom my work would not exist – my partners, associates, programmers, designers and producers. The practice of working with Light, in all its glorious forms, is as much a privilege as it is a job. Thank you.” Patrick Woodroffe.
Skyscape at the Millennium Dome (2000) Design – ESS, Lighting Design – Patrick Woodroffe
Woodroffe Bassett Design (WBD) is one of the best-known and most prolific lighting design brands operating in the world of entertainment and architecture today. The studio was established by lighting designers Patrick Woodroffe and Adam Bassett in 2013. In 2019, Terry Cook, a long-standing and experienced member of the team, joined Patrick and Adam as a partner.
WBD works for an unrivaled network of global clients and is a thriving creative practice focused on providing dynamic, intelligent and often breathtaking lighting design projects across a broad range of genres. WBD has seen few boundaries in its artistic ambition and currently provides full creative service across multiple entertainments and architectural sectors and projects with skill and integrity.
WBD comprises a core team of agile and experienced specialist designers, supplemented by a regular team of associates in the form of lighting directors, programmers, assistants, logistics and planning experts. This group is experienced in working with artists in all disciplines and can interpret and deliver any brief, detailed or otherwise, ensuring their client’s vision is protected and creative ambition often exceeded.
Michael Jackson This Is It (2009) Director – Kenny Ortega, Set Design – Michael Cotton, Lighting Design – Patrick Woodroffe, WBD
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